Trying to find your way? Look here for some help with navigating the wealth of information at the Storm Writing School blog.
Writing epiphanies and realizations can be difficult; how can you make them feel earned and not contrived? Here, we examine the keys to successful realizations in storytelling.
Objects are crucial to a story’s being unique and affecting. Here, we look at 5 ways to use objects to tighten up your story and make it more powerful.
Robert Olen Butler describes 5 ways the people express emotions. Writers can use these expressions to help build better character interiority. Here, his 5 expressions and an accompanying journal exercise.
The idea behind subjective conflict is this: the reader can sometimes experience conflict even when the characters in the story don’t. This week’s article appears at DIYMFA.
There’s a lot of writing advice out there. It is not difficult to find. It is also not difficult to feel overwhelmed by it all and, consequently, a bit inadequate as a writer. You do not need to follow all of it. In fact, if you can differentiate between descriptive and prescriptive advice, you’ll be on your way to cutting through the glut.
Physical expressions of emotion can be problematic, even though they’re justified by the “Show, don’t tell” mandate. But there are often better, more artful ways to give us insights into the interiority of your POV characters.
An expert writer of stories needs to have some mastery of psychic distance—the distance the narrator stands from a character’s emotions, thoughts, and perceptions. No matter what viewpoint or person or verb tense you’re using for your story, your narration will sometimes go very close to character perception and sometimes stay quite distant.
Is your story’s conflict gripping readers? Not all conflict is created equal. Some creates tension; some doesn’t. And in fact, conflict isn’t the only way to create tension.
Sometimes, the main source of tension in a story comes from a lingereing “urgent story question” that nags at the reader. You should be conscious of your story’s USQs so that you can make the most of them and create a more gripping story.
The old writing adage of “show, don’t tell” is good advice, but it can occasionally get writers in trouble. Good writers sometimes fall prey to hyperdetailing–giving excessive description without serving the story.