Character

Dealing with main characters, antagonists, allies, and all other varieties of characters in your stories.

4 Common Failures in Story Cause/Effect

Causality governs story events. You want your story to feel authentic, believable, and seamless. You don’t want any of the events or reactions within the story to draw attention to themselves. They must be earned. This article examines common failures to earn story developments.

Formatting Character Thoughts

Is it better to format character thoughts with quote marks or italics? I say neither.

Is it better to format character thoughts with quote marks or italics? I say neither. No special formatting is necessary to signify character thinking. You just need some solid narration.

Create Sentiment; Avoid Sentimentality

Avoid sentimentality

Flannery O’Connor says that sentimentality is a “distortion of sentiment.” That distortion can occur in one of two ways. Learn about those distortions and then avoid them through the 7 remedies presented here.

How to Create Story Momentum

A story with momentum makes me want to know what’s going to happen next, and makes me care about the characters, objectives, conflicts, and action.

12 Ways to Be an Invisible Writer

Once the author becomes visible, the enchantment of the story dissolves. The author is the creator of a story, but the author should never be a part of the story. The author is the man behind the curtain. Reveal the man behind the curtain and the Wizard of Oz narrative dies. What sorts of things reveal the author? Here are 12.

Why the Hero’s Journey May Not Be Right for Your Story

What if you want to write a story other than the redemption tale? The hero’s journey and a slew of other plot outlines will provide little help to you because built into their structural guide is a latter section of the story that is exactly what Macbeth isn’t—an ultimate sacrifice, followed by an epiphany-induced power surge, and a final push toward a (spiritual) full potential.

Why You Need Strong Antagonists in Your Story

Let’s get something straight right off the bat: Your story is about your protagonist. That is, the protagonist is the star. By definition. Even if you have a very engaging and sympathetic antagonist, the reader identifies more with your protagonist’s struggle and desire. If that’s not the case, you have the wrong protagonist.

That’s the first thing to keep in mind when dreaming up and/or depicting your antagonist: the protagonist is the star of the show. The antagonist’s purpose is to serve the author’s goals for the protagonist.

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