What if you want to write a story other than the redemption tale? The hero’s journey and a slew of other plot outlines will provide little help to you because built into their structural guide is a latter section of the story that is exactly what Macbeth isn’t—an ultimate sacrifice, followed by an epiphany-induced power surge, and a final push toward a (spiritual) full potential.
Dealing with main characters, antagonists, allies, and all other varieties of characters in your stories.
Let’s get something straight right off the bat: Your story is about your protagonist. That is, the protagonist is the star. By definition. Even if you have a very engaging and sympathetic antagonist, the reader identifies more with your protagonist’s struggle and desire. If that’s not the case, you have the wrong protagonist.
That’s the first thing to keep in mind when dreaming up and/or depicting your antagonist: the protagonist is the star of the show. The antagonist’s purpose is to serve the author’s goals for the protagonist.