Sometimes, the main source of tension in a story comes from a lingereing “urgent story question” that nags at the reader. You should be conscious of your story’s USQs so that you can make the most of them and create a more gripping story.
Posts having to do with the ever-important character desire/objective that drives a story.
We’ve all heard about the importance of conflict in storytelling. One of my favorite quotes in this regard comes from Charles Baxter, who says, “Only Hell is interesting.” If there’s not trouble in the story, we don’t want to hear about it. That’s not to say we want trouble to win out. On the contrary, when a story has elements of conflict or trouble, they work to expose what’s good and right and true about the protagonists with whom we empathize and sympathize.
But I want to unpack conflict a touch more because it comes in a few different varieties.