The idea behind subjective conflict is this: the reader can sometimes experience conflict even when the characters in the story don’t. This week’s article appears at DIYMFA.
How to create tension in your stories
Do you take us to a point of conflict and then, rather than allow us to see it play out and get all worried about the outcome, you summarize it or just resolve it quickly? Stretching tension means you lengthen the scene but also make it more gripping. Don’t push the action off-stage or rush through it. Linger on the most tense moments of the story to maximize engagement.
Let’s get something straight right off the bat: Your story is about your protagonist. That is, the protagonist is the star. By definition. Even if you have a very engaging and sympathetic antagonist, the reader identifies more with your protagonist’s struggle and desire. If that’s not the case, you have the wrong protagonist.
That’s the first thing to keep in mind when dreaming up and/or depicting your antagonist: the protagonist is the star of the show. The antagonist’s purpose is to serve the author’s goals for the protagonist.