A story with momentum makes me want to know what’s going to happen next, and makes me care about the characters, objectives, conflicts, and action.
Let’s talk reader engagement. A writer can create tension and hook readers through three situations: mystery, suspense, and dramatic irony.
Kristen Roupenian’s “Cat Person” handles character interiority masterfully. Here are 10 tips we can glean from the story.
Tim is a masterful teacher whose goal is to teach writers to be skilled creators, equipping them with what they need to know in order to conjure meaningful, satisfying stories.
I’m very much a believer that writers must find the methods that work best for them. But just as a musician must first understand something about the structure of music (rhythm, tempo, scales, etc.) to be able to invent and improvise, so, too, must a story writer have some understanding of the structure of story.
My previous article featured a list of novel structure resources. Having combed through that list, I found some common ground among the various paradigms I investigated. This post features a video in which I walk through the plot points I saw over and over again in my research.
I’ve done an exhaustive exploration of novel and story structure advice. Below, I’ve assembled what is more or less a bibliography. Consider this a list of resources more than the typical craft tip article. Bookmark this one and come back to it for future reads.
What if you want to write a story other than the redemption tale? The hero’s journey and a slew of other plot outlines will provide little help to you because built into their structural guide is a latter section of the story that is exactly what Macbeth isn’t—an ultimate sacrifice, followed by an epiphany-induced power surge, and a final push toward a (spiritual) full potential.
Storytelling is a complex beast. There are lots of things that appeal to readers: poetic sentences, imaginative alternate realities, sympathetic and/or courageous characters, relatable problems, vicarious experience. But at the scene level, there is really just one simple concept that spurs the reader onward.