To avoid flat dialogue scenes, learn to triangulate the characters’ interaction with a lower-order goal.
“Escalating complications” is my preferred term for what’s commonly known as “rising action.” What is rising action? And how can you use it to maintain reader engagement in the middles of your scenes and stories? We take a lesson from iguanas and snakes here.
Is it better to format character thoughts with quote marks or italics? I say neither. No special formatting is necessary to signify character thinking. You just need some solid narration.
Should you use synonyms for “said”? Some writing advice claims “said is dead”; others look disparagingly upon “saidisms,” the fancier cousins of “said.” Here’s the rule of thumb.
Storm Writing School operates under the assumption that writing and storytelling are powerful human endeavors that move us in mysterious ways. The rules are hard to pin down but worth considering and debating in order to make our art more capable of resonating with readers.
Flannery O’Connor says that sentimentality is a “distortion of sentiment.” That distortion can occur in one of two ways. Learn about those distortions and then avoid them through the 7 remedies presented here.
Coping with criticism and rejection is key for writers. Having endured lots of critiques and rejections, I can share what mindset I’ve found successful in coping with the ups and downs of receiving critiques and rejections.
There are lots of problems with the default workshop approach. But that’s not to say that workshopping isn’t valuable. It is. And if the workshop members have the right attitude, it can be an incredibly helpful experience for all.
A story with momentum makes me want to know what’s going to happen next, and makes me care about the characters, objectives, conflicts, and action.
Let’s talk reader engagement. A writer can create tension and hook readers through three situations: mystery, suspense, and dramatic irony.