I introduced this concept of scenes vs. summary in my post on the four ways to break down page-level craft. Here, in more detail, is what scene vs. summary is all about. And I’ve included some explanation on how the story writer can benefit from knowing this aspect of craft.

In my MFA program, we were required to read 80 books over the two-year course of study. Like most writers, I was already a voracious reader, but time constraints and job demands had meant that I read far fewer than 40 books a year. In reading such a large volume of books, though, I came to embrace some tenets of story consumption: