There are lots of problems with the default workshop approach. But that’s not to say that workshopping isn’t valuable. It is. And if the workshop members have the right attitude, it can be an incredibly helpful experience for all.
A story with momentum makes me want to know what’s going to happen next, and makes me care about the characters, objectives, conflicts, and action.
Let’s talk reader engagement. A writer can create tension and hook readers through three situations: mystery, suspense, and dramatic irony.
Kristen Roupenian’s “Cat Person” handles character interiority masterfully. Here are 10 tips we can glean from the story.
I’m very much a believer that writers must find the methods that work best for them. But just as a musician must first understand something about the structure of music (rhythm, tempo, scales, etc.) to be able to invent and improvise, so, too, must a story writer have some understanding of the structure of story.
My previous article featured a list of novel structure resources. Having combed through that list, I found some common ground among the various paradigms I investigated. This post features a video in which I walk through the plot points I saw over and over again in my research.